Focusrite scarlett solo 3rd gen usb audio interface

FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE DRIVER
FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE SOFTWARE
FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE SERIES

One high headroom instrument input, for plugging your guitar or bass straight in.Д®asy Start tool, making it easier than ever to get up and running. The best performing Scarlett mic preamp the range has ever heard вЂ“ now with Air вЂ“ for miking up guitars or recording vocals. If you want to start creating studio quality recordings with your guitar, the 3rd Generation Scarlett Solo provides an easy way in. YouвЂ™ve found the simplest USB audio interface we make.

FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE SOFTWARE

If we have to pick one over the other, though вЂ“ which, given the objective of this feature, we clearly do вЂ“ weвЂ™d plump for FocusriteвЂ™s package, swayed by its fabulous Air circuit, smaller size, lower weight, and handy front-panel connections.Focusrite Scarlett Solo 3rd Gen USB Audio Interface with Software In conclusion, the SSL 2 and 2i2 3rd Gen both serve up stellar performance and exemplary ease of use, and you honestly wonвЂ™t go wrong with either of them.

The decision that needs to be made, then, is between the (entirely optional) subtly infused saturation of the SSLвЂ™s 4K Legacy mode and the slightly more apparent top-end lift of the 2i2 3rd GenвЂ™s Air circuit вЂ“ for us, the latter just edges it, but itвЂ™s really a matter of taste.

Those are the most important considerations in any audio interface, and itвЂ™s truly amazing what you get for your money in both cases here. In terms of sound and latency, the SSL 2 and 2i2 3rd Gen are superb performers, with exceptional dynamic range, plenty of volume when you need it, and unnoticeable latency at small buffer sizes. SSL 2 vs Focusrite Scarlett 2i2 3rd gen: verdict The 2i2 3rd Gen supports direct monitoring, of course, but balancing it with the signal from the DAW can only be done in Focusrite Control. Back in FocusriteвЂ™s court, the 2i2 3rd GenвЂ™s front-mounted input and headphone sockets are a definite plus, making it easier to get to those frequently-accessed holes than you can their rear-located SSL 2 equivalents.Дirect monitoring is better catered to by the SSL 2, which facilitates blending of the line/instrument input with the USB input from your DAW via the Monitor Mix knob. As mentioned above, the SSL 2 is markedly bigger than the 2i2 3rd Gen, which has a bit more of a вЂsling-it-in-your-laptop-bagвЂ™ feel but we do prefer the SSL 2вЂ™s angled console-style control arrangement for desktop usage. When it comes to comparing the workflow and ergonomics of our two home studio contenders, thereвЂ™s not much in it вЂ“ both are perfectly straightforward in their connectivity, gain adjustment and output levelling. SSL 2 vs Focusrite Scarlett 2i2 3rd gen: usability Both are equally effective in use, and if you need more details with the 2i2 3rd Gen, Focusrite Control provides good on-screen metering.ДЇinally, both interfaces bundle in a decent wodge of plugins and cut-down DAWs, arguably the most вЂvaluableвЂ™ being Vocalstrip 2 and Drumstrip with the SSL 2, and FocusriteвЂ™s Red Plug-in Suite and SoftubeвЂ™s Time and Tone Bundle with the 2i2 3rd Gen. The SSL 2вЂ™s traditional five-stage ladder-style meters give a more literal impression of signal levels than the вЂ™Gain HaloвЂ™ collars of the 2i2 3rd GenвЂ™s gain knobs, which represent increasingly hot signal levels through green/orange/red LED colouring. The 2i2 3rd Gen pulls off the same sort of trick with its вЂAirвЂ™ circuit, which successfully emulates the luxurious high-frequency sheen of FocusriteвЂ™s fabulous ISA preamp.Д«eyond fundamental specs and historical pedigrees, the Air and Legacy 4K circuits are undoubtedly the headline features of the two interfaces, but another point of differentiation is the metering.

FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE SERIES

Pressing the SSL 2вЂ™s Legacy 4K button switches in an вЂњanalogue enhancement circuit inspired by the character ofвЂќ the SSL 4000 Series console вЂ“ specifically, a high-frequency EQ boost and harmonic distortion that works particularly well on guitars, drums and vocals. With FocusriteвЂ™s bigger multi-channel interfaces, said app handles routing and mixing of inputs and outputs, but here it offers no real benefits beyond enabling those high sample rates and monitor mixing.Д¬entral to the appeal of both boxes is their ability to introduce the super classy preamp and console circuitry colouration with which the two manufacturers made their respective marks on the recording industry. The SSL 2вЂ™s sample rate and buffer size are governed by the host DAW, but to use the 2i2 3rd Gen at sample rates above 48kHz, the Focusrite Control software has to be installed.

FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE DRIVER

(Image credit: Solid State Logic/Focusrite)Дriver-wise, both units are class-compliant under macOS and require installation of an ASIO/WDM driver in Windows.

Focusrite scarlett solo 3rd gen usb audio interface